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[] Udemy - Music Theory Comprehensive Complete Part 4, 5, & 6

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文件列表

  1. 3. Using Modes/4. Analysis Missa Pange Lingua (Choir).mp4 41MB
  2. 9. Welcome to Part 5!/1. Introduction to Part 5.mp4 39MB
  3. 3. Using Modes/2. Analysis The Simpsons (TV Theme Song).mp4 39MB
  4. 5. Consonance and Dissonance/4. Analyzing Intervals.mp4 28MB
  5. 24. Harmonizing Melodies/3. Danny Boy (Example).mp4 28MB
  6. 17. Welcome to Part 6!/1. Introduction to Part 6.mp4 26MB
  7. 1. Welcome & Overview/1. Overview.mp4 26MB
  8. 2. Modes (The Musical Modes, AKA The Church Modes)/3. The History of Modes.mp4 24MB
  9. 15. Fifth Species Counterpoint/2. Writing Free Counterpoint.mp4 24MB
  10. 13. Third Species Counterpoint/1. Four-to-One Counterpoint.mp4 20MB
  11. 12. Writing Second Species Counterpoint/2. The Melody Notes.mp4 20MB
  12. 7. Writing Note-To-Note Counterpoint in Strict Style/2. The Middle.mp4 19MB
  13. 23. Voice-Leading on the Dominant/2. Other Voice Leading Requirements.mp4 19MB
  14. 5. Consonance and Dissonance/2. Resolution.mp4 19MB
  15. 9. Welcome to Part 5!/5. Review First Species Counterpoint.mp4 18MB
  16. 14. Fourth Species Counterpoint/1. Rhythmic Displacement.mp4 18MB
  17. 12. Writing Second Species Counterpoint/3. Harmony.mp4 17MB
  18. 6. Introduction to Counterpoint/6. The 4 Types of Contrapuntal Motion.mp4 17MB
  19. 5. Consonance and Dissonance/1. Consonance and Dissonance in Intervals.mp4 17MB
  20. 18. Composing in an 18th Century Style/2. Types of Motion.mp4 16MB
  21. 7. Writing Note-To-Note Counterpoint in Strict Style/4. The Rules All Wrapped Up.mp4 16MB
  22. 19. Melodic Embellishment (in Chorale Textures)/1. Non-Chord Tones.mp4 15MB
  23. 2. Modes (The Musical Modes, AKA The Church Modes)/2. How Modes Work.mp4 15MB
  24. 6. Introduction to Counterpoint/5. Connecting Harmonic Intervals.mp4 15MB
  25. 11. Melodic Embellishment in Second Species Counterpoint/1. Passing Tones.mp4 14MB
  26. 6. Introduction to Counterpoint/1. What is Counterpoint.mp4 14MB
  27. 24. Harmonizing Melodies/1. Harmonic Rhythm.mp4 14MB
  28. 18. Composing in an 18th Century Style/6. Starting Intervals.mp4 13MB
  29. 4. Deeper Into Intervals/3. Compound and Simple Intervals.mp4 13MB
  30. 11. Melodic Embellishment in Second Species Counterpoint/3. Neighbor Tones.mp4 13MB
  31. 23. Voice-Leading on the Dominant/1. Resolving Leading Tones.mp4 13MB
  32. 19. Melodic Embellishment (in Chorale Textures)/3. Example Analysis.mp4 13MB
  33. 4. Deeper Into Intervals/7. Augmented and Diminished Intervals.mp4 13MB
  34. 12. Writing Second Species Counterpoint/1. First and Last Measures.mp4 13MB
  35. 20. SATB Composition/5. Doubling.mp4 13MB
  36. 2. Modes (The Musical Modes, AKA The Church Modes)/5. The Dorian Mode.mp4 12MB
  37. 1. Welcome & Overview/6. Review Session Major and Minor Scales.mp4 12MB
  38. 20. SATB Composition/6. My Country Tis of Thee (Example).mp4 12MB
  39. 1. Welcome & Overview/7. Review Session Diatonic Chord Progressions.mp4 12MB
  40. 6. Introduction to Counterpoint/8. Parallel Fifths and Octaves.mp4 12MB
  41. 15. Fifth Species Counterpoint/1. Free Counterpoint.mp4 12MB
  42. 14. Fourth Species Counterpoint/7. Consonant Suspensions.mp4 12MB
  43. 18. Composing in an 18th Century Style/3. Chordal Dissonance.mp4 11MB
  44. 7. Writing Note-To-Note Counterpoint in Strict Style/3. The Riemenschneider.mp4 11MB
  45. 6. Introduction to Counterpoint/4. First Species Counterpoint - Melodic Rules.mp4 11MB
  46. 12. Writing Second Species Counterpoint/4. Summary and Tips.mp4 11MB
  47. 2. Modes (The Musical Modes, AKA The Church Modes)/10. The Locrian Mode.mp4 11MB
  48. 20. SATB Composition/2. SATB Notation.mp4 10MB
  49. 1. Welcome & Overview/5. Asking Questions.mp4 10MB
  50. 4. Deeper Into Intervals/2. Using Visual Landmarks to Quickly Identify Intervals.mp4 10MB
  51. 7. Writing Note-To-Note Counterpoint in Strict Style/1. The Beginning and The End.mp4 10MB
  52. 14. Fourth Species Counterpoint/8. Chains of Suspensions.mp4 10MB
  53. 6. Introduction to Counterpoint/2. The Different Species of Counterpoint.mp4 10MB
  54. 4. Deeper Into Intervals/8. The Tritone.mp4 10MB
  55. 18. Composing in an 18th Century Style/1. Overview of 18th Century Counterpoint.mp4 9MB
  56. 22. More with Cadences/1. The Perfect Authentic Cadence in 4 Voices.mp4 9MB
  57. 11. Melodic Embellishment in Second Species Counterpoint/2. Consonant Skips and Leaps.mp4 9MB
  58. 4. Deeper Into Intervals/5. Rules for Inversions of Intervals.mp4 9MB
  59. 13. Third Species Counterpoint/3. Double Neighbor Tones.mp4 9MB
  60. 14. Fourth Species Counterpoint/6. 9-8 Suspensions.mp4 9MB
  61. 3. Using Modes/6. Analysis Eleanor Rigby (The Beatles).mp4 9MB
  62. 3. Using Modes/5.1 21-Missa_Pange_Lingua_PDF.pdf.pdf 9MB
  63. 18. Composing in an 18th Century Style/7. Summary of 18th Century Counterpoint Rules.mp4 9MB
  64. 10. Second Species Counterpoint/2. Metric Accents and Diminutions.mp4 9MB
  65. 1. Welcome & Overview/2. Tools we will use in this course.mp4 8MB
  66. 2. Modes (The Musical Modes, AKA The Church Modes)/8. The Mixolydian Mode.mp4 8MB
  67. 6. Introduction to Counterpoint/3. Connecting Melodic Intervals.mp4 8MB
  68. 14. Fourth Species Counterpoint/4. 4-3 Suspensions.mp4 8MB
  69. 21. Phrasing in SATB Composition/1. T-D-T (Tonic, Dominant, Tonic).mp4 8MB
  70. 22. More with Cadences/3. Half Cadences in 4 Voices.mp4 8MB
  71. 19. Melodic Embellishment (in Chorale Textures)/2. Suspensions.mp4 8MB
  72. 2. Modes (The Musical Modes, AKA The Church Modes)/6. The Phrygian Mode.mp4 8MB
  73. 17. Welcome to Part 6!/2. Welcome to the Second Semester of College Music Theory.mp4 8MB
  74. 14. Fourth Species Counterpoint/2. Suspensions.mp4 7MB
  75. 10. Second Species Counterpoint/1. What's New In Second Species.mp4 7MB
  76. 9. Welcome to Part 5!/4. Review Modes.mp4 7MB
  77. 17. Welcome to Part 6!/5. Review First, Second, Third, & Fourth Species Counterpoint.mp4 7MB
  78. 18. Composing in an 18th Century Style/5. Cadences in BassMelody Counterpoint.mp4 7MB
  79. 21. Phrasing in SATB Composition/3. Establishing the Dominant Area.mp4 7MB
  80. 4. Deeper Into Intervals/4. MajorMinorPerfect Intervals.mp4 7MB
  81. 18. Composing in an 18th Century Style/4. Cadences.mp4 7MB
  82. 22. More with Cadences/2. The Imperfect Authentic Cadence in 4 Voices.mp4 7MB
  83. 19. Melodic Embellishment (in Chorale Textures)/4. Summary of Melodic Embellishment Rules.mp4 7MB
  84. 10. Second Species Counterpoint/3. Resolutions.mp4 7MB
  85. 20. SATB Composition/4. Voice Crossings.mp4 7MB
  86. 14. Fourth Species Counterpoint/5. 7-6 Suspensions.mp4 7MB
  87. 9. Welcome to Part 5!/2. Tools We Will Use.mp4 7MB
  88. 14. Fourth Species Counterpoint/9. Summary of 4th Species Rules.mp4 7MB
  89. 20. SATB Composition/3. SATB Ranges.mp4 6MB
  90. 24. Harmonizing Melodies/2. Texture.mp4 6MB
  91. 17. Welcome to Part 6!/3. Tools We Will Use in this Class.mp4 6MB
  92. 22. More with Cadences/4. Plagal Cadences in 4 Voices.mp4 6MB
  93. 25. Wrap Up/2. Thanks & Bye!.mp4 6MB
  94. 4. Deeper Into Intervals/1. Melodic Vs. Harmonic Intervals.mp4 6MB
  95. 21. Phrasing in SATB Composition/2. Establishing the Tonic Area.mp4 6MB
  96. 4. Deeper Into Intervals/9. Enharmonic Equivalence.mp4 6MB
  97. 13. Third Species Counterpoint/2. The Cambiata.mp4 6MB
  98. 14. Fourth Species Counterpoint/3. Going Downhill.mp4 5MB
  99. 2. Modes (The Musical Modes, AKA The Church Modes)/1. Overview of Modes New Harmonic Territory.mp4 5MB
  100. 5. Consonance and Dissonance/3. Interval Classes.mp4 5MB
  101. 3. Using Modes/1. From Old to New Again Modern Uses of Modes.mp4 5MB
  102. 22. More with Cadences/5. Deceptive Cadences in 4 Voices.mp4 5MB
  103. 16. Part 5 Wrap Up/1. What Comes Next.mp4 5MB
  104. 2. Modes (The Musical Modes, AKA The Church Modes)/7. The Lydian Mode.mp4 5MB
  105. 2. Modes (The Musical Modes, AKA The Church Modes)/4. The Ionian Mode.mp4 5MB
  106. 20. SATB Composition/1. Writing SATB Lines.mp4 4MB
  107. 2. Modes (The Musical Modes, AKA The Church Modes)/9. The Aeolian Mode.mp4 4MB
  108. 10. Second Species Counterpoint/4. Second Species Counterpoint Rules Summary.mp4 4MB
  109. 25. Wrap Up/1. What Comes Next.mp4 4MB
  110. 15. Fifth Species Counterpoint/3. A Brief History of Fux.mp4 4MB
  111. 4. Deeper Into Intervals/6. Summary of Intervals So Far.mp4 3MB
  112. 16. Part 5 Wrap Up/2. Thats it for Part 5!.mp4 3MB
  113. 8. Part 4 Wrap Up/1. What Next.mp4 3MB
  114. 8. Part 4 Wrap Up/2. Thats it for Part 4!.mp4 2MB
  115. 3. Using Modes/3.1 19-SimpsonsThemeMuseScoreV2.pdf.pdf 639KB
  116. 5. Consonance and Dissonance/5.1 38-J.S.Bach_Two_part_invention_no.8PDF.pdf.pdf 478KB
  117. 3. Using Modes/7.1 23-Eleanor_Rigby_PDF.pdf.pdf 408KB
  118. 17. Welcome to Part 6!/6.1 AllExamples.pdf.pdf 283KB
  119. 14. Fourth Species Counterpoint/10.1 32-Worksheet4.pdf.pdf 280KB
  120. 18. Composing in an 18th Century Style/8.1 13-Worksheet1v2.pdf.pdf 267KB
  121. 11. Melodic Embellishment in Second Species Counterpoint/4.1 13-Worksheet1.pdf.pdf 262KB
  122. 13. Third Species Counterpoint/4.1 22-Worksheet3.pdf.pdf 260KB
  123. 12. Writing Second Species Counterpoint/5.1 18-Worksheet2.pdf.pdf 255KB
  124. 22. More with Cadences/6.1 35-Worksheet5.pdf.pdf 168KB
  125. 1. Welcome & Overview/4.1 4-blank-manuscript-paper-usletter-12-staves.pdf.pdf 160KB
  126. 17. Welcome to Part 6!/4.1 4-blank-manuscript-paper-usletter-12-staves.pdf.pdf 160KB
  127. 9. Welcome to Part 5!/3.1 3-blank-manuscript-paper-usletter-12-staves.pdf.pdf 160KB
  128. 7. Writing Note-To-Note Counterpoint in Strict Style/5.1 53-Worksheet5.pdf.pdf 158KB
  129. 15. Fifth Species Counterpoint/4.1 36-Worksheet5.pdf.pdf 146KB
  130. 2. Modes (The Musical Modes, AKA The Church Modes)/11.1 16-Worksheet1.pdf.pdf 121KB
  131. 19. Melodic Embellishment (in Chorale Textures)/5.1 18-Worksheet2.pdf.pdf 99KB
  132. 6. Introduction to Counterpoint/7.1 47-ExampleFilesPDF.pdf.pdf 92KB
  133. 25. Wrap Up/3.1 LastTipsV8.pdf.pdf 88KB
  134. 5. Consonance and Dissonance/6.1 39-Worksheet3.pdf.pdf 84KB
  135. 4. Deeper Into Intervals/10.1 33-Worksheet2.pdf.pdf 73KB
  136. 21. Phrasing in SATB Composition/4.1 29-Worksheet4v2.pdf.pdf 73KB
  137. 6. Introduction to Counterpoint/9.1 49-Worksheet4.pdf.pdf 69KB
  138. 20. SATB Composition/7.1 25-Worksheet3.pdf.pdf 64KB
  139. 17. Welcome to Part 6!/6.2 AllExamples.mscz.zip.zip 35KB
  140. 23. Voice-Leading on the Dominant/3.1 38-Worksheet6.pdf.pdf 26KB
  141. 7. Writing Note-To-Note Counterpoint in Strict Style/2. The Middle.vtt 22KB
  142. 6. Introduction to Counterpoint/6. The 4 Types of Contrapuntal Motion.vtt 21KB
  143. 13. Third Species Counterpoint/1. Four-to-One Counterpoint.vtt 21KB
  144. 7. Writing Note-To-Note Counterpoint in Strict Style/4. The Rules All Wrapped Up.vtt 20KB
  145. 2. Modes (The Musical Modes, AKA The Church Modes)/3. The History of Modes.vtt 19KB
  146. 12. Writing Second Species Counterpoint/2. The Melody Notes.vtt 19KB
  147. 12. Writing Second Species Counterpoint/3. Harmony.vtt 17KB
  148. 9. Welcome to Part 5!/5. Review First Species Counterpoint.vtt 17KB
  149. 14. Fourth Species Counterpoint/1. Rhythmic Displacement.vtt 17KB
  150. 2. Modes (The Musical Modes, AKA The Church Modes)/2. How Modes Work.vtt 16KB
  151. 23. Voice-Leading on the Dominant/2. Other Voice Leading Requirements.vtt 16KB
  152. 5. Consonance and Dissonance/2. Resolution.vtt 16KB
  153. 5. Consonance and Dissonance/1. Consonance and Dissonance in Intervals.vtt 16KB
  154. 3. Using Modes/4. Analysis Missa Pange Lingua (Choir).vtt 16KB
  155. 6. Introduction to Counterpoint/5. Connecting Harmonic Intervals.vtt 15KB
  156. 15. Fifth Species Counterpoint/2. Writing Free Counterpoint.vtt 15KB
  157. 24. Harmonizing Melodies/3. Danny Boy (Example).vtt 15KB
  158. 12. Writing Second Species Counterpoint/1. First and Last Measures.vtt 14KB
  159. 1. Welcome & Overview/6. Review Session Major and Minor Scales.vtt 14KB
  160. 19. Melodic Embellishment (in Chorale Textures)/1. Non-Chord Tones.vtt 14KB
  161. 6. Introduction to Counterpoint/1. What is Counterpoint.vtt 14KB
  162. 18. Composing in an 18th Century Style/6. Starting Intervals.vtt 14KB
  163. 11. Melodic Embellishment in Second Species Counterpoint/3. Neighbor Tones.vtt 14KB
  164. 3. Using Modes/2. Analysis The Simpsons (TV Theme Song).vtt 13KB
  165. 18. Composing in an 18th Century Style/2. Types of Motion.vtt 13KB
  166. 4. Deeper Into Intervals/3. Compound and Simple Intervals.vtt 13KB
  167. 4. Deeper Into Intervals/7. Augmented and Diminished Intervals.vtt 13KB
  168. 20. SATB Composition/5. Doubling.vtt 13KB
  169. 12. Writing Second Species Counterpoint/4. Summary and Tips.vtt 13KB
  170. 15. Fifth Species Counterpoint/1. Free Counterpoint.vtt 13KB
  171. 11. Melodic Embellishment in Second Species Counterpoint/1. Passing Tones.vtt 13KB
  172. 23. Voice-Leading on the Dominant/1. Resolving Leading Tones.vtt 13KB
  173. 7. Writing Note-To-Note Counterpoint in Strict Style/1. The Beginning and The End.vtt 12KB
  174. 6. Introduction to Counterpoint/8. Parallel Fifths and Octaves.vtt 12KB
  175. 2. Modes (The Musical Modes, AKA The Church Modes)/5. The Dorian Mode.vtt 12KB
  176. 4. Deeper Into Intervals/2. Using Visual Landmarks to Quickly Identify Intervals.vtt 12KB
  177. 5. Consonance and Dissonance/4. Analyzing Intervals.vtt 11KB
  178. 20. SATB Composition/6. My Country Tis of Thee (Example).vtt 11KB
  179. 1. Welcome & Overview/7. Review Session Diatonic Chord Progressions.vtt 11KB
  180. 20. SATB Composition/2. SATB Notation.vtt 11KB
  181. 4. Deeper Into Intervals/5. Rules for Inversions of Intervals.vtt 11KB
  182. 18. Composing in an 18th Century Style/3. Chordal Dissonance.vtt 11KB
  183. 18. Composing in an 18th Century Style/1. Overview of 18th Century Counterpoint.vtt 11KB
  184. 1. Welcome & Overview/2. Tools we will use in this course.vtt 10KB
  185. 6. Introduction to Counterpoint/2. The Different Species of Counterpoint.vtt 10KB
  186. 6. Introduction to Counterpoint/4. First Species Counterpoint - Melodic Rules.vtt 10KB
  187. 10. Second Species Counterpoint/2. Metric Accents and Diminutions.vtt 9KB
  188. 4. Deeper Into Intervals/8. The Tritone.vtt 9KB
  189. 2. Modes (The Musical Modes, AKA The Church Modes)/8. The Mixolydian Mode.vtt 9KB
  190. 19. Melodic Embellishment (in Chorale Textures)/3. Example Analysis.vtt 9KB
  191. 17. Welcome to Part 6!/5. Review First, Second, Third, & Fourth Species Counterpoint.vtt 9KB
  192. 17. Welcome to Part 6!/2. Welcome to the Second Semester of College Music Theory.vtt 9KB
  193. 9. Welcome to Part 5!/1. Introduction to Part 5.vtt 9KB
  194. 2. Modes (The Musical Modes, AKA The Church Modes)/10. The Locrian Mode.vtt 9KB
  195. 13. Third Species Counterpoint/3. Double Neighbor Tones.vtt 9KB
  196. 21. Phrasing in SATB Composition/1. T-D-T (Tonic, Dominant, Tonic).vtt 9KB
  197. 6. Introduction to Counterpoint/3. Connecting Melodic Intervals.vtt 9KB
  198. 14. Fourth Species Counterpoint/8. Chains of Suspensions.vtt 9KB
  199. 21. Phrasing in SATB Composition/3. Establishing the Dominant Area.vtt 8KB
  200. 11. Melodic Embellishment in Second Species Counterpoint/2. Consonant Skips and Leaps.vtt 8KB
  201. 10. Second Species Counterpoint/3. Resolutions.vtt 8KB
  202. 14. Fourth Species Counterpoint/9. Summary of 4th Species Rules.vtt 8KB
  203. 1. Welcome & Overview/1. Overview.vtt 8KB
  204. 22. More with Cadences/1. The Perfect Authentic Cadence in 4 Voices.vtt 8KB
  205. 4. Deeper Into Intervals/1. Melodic Vs. Harmonic Intervals.vtt 8KB
  206. 18. Composing in an 18th Century Style/7. Summary of 18th Century Counterpoint Rules.vtt 8KB
  207. 10. Second Species Counterpoint/1. What's New In Second Species.vtt 8KB
  208. 7. Writing Note-To-Note Counterpoint in Strict Style/3. The Riemenschneider.vtt 8KB
  209. 22. More with Cadences/3. Half Cadences in 4 Voices.vtt 8KB
  210. 18. Composing in an 18th Century Style/5. Cadences in BassMelody Counterpoint.vtt 8KB
  211. 2. Modes (The Musical Modes, AKA The Church Modes)/6. The Phrygian Mode.vtt 8KB
  212. 22. More with Cadences/2. The Imperfect Authentic Cadence in 4 Voices.vtt 8KB
  213. 9. Welcome to Part 5!/2. Tools We Will Use.vtt 8KB
  214. 14. Fourth Species Counterpoint/6. 9-8 Suspensions.vtt 8KB
  215. 17. Welcome to Part 6!/3. Tools We Will Use in this Class.vtt 7KB
  216. 14. Fourth Species Counterpoint/2. Suspensions.vtt 7KB
  217. 19. Melodic Embellishment (in Chorale Textures)/2. Suspensions.vtt 7KB
  218. 18. Composing in an 18th Century Style/4. Cadences.vtt 7KB
  219. 17. Welcome to Part 6!/1. Introduction to Part 6.vtt 7KB
  220. 14. Fourth Species Counterpoint/7. Consonant Suspensions.vtt 7KB
  221. 14. Fourth Species Counterpoint/4. 4-3 Suspensions.vtt 7KB
  222. 2. Modes (The Musical Modes, AKA The Church Modes)/1. Overview of Modes New Harmonic Territory.vtt 7KB
  223. 13. Third Species Counterpoint/2. The Cambiata.vtt 7KB
  224. 24. Harmonizing Melodies/1. Harmonic Rhythm.vtt 7KB
  225. 4. Deeper Into Intervals/4. MajorMinorPerfect Intervals.vtt 7KB
  226. 20. SATB Composition/3. SATB Ranges.vtt 7KB
  227. 19. Melodic Embellishment (in Chorale Textures)/4. Summary of Melodic Embellishment Rules.vtt 7KB
  228. 21. Phrasing in SATB Composition/2. Establishing the Tonic Area.vtt 6KB
  229. 5. Consonance and Dissonance/3. Interval Classes.vtt 6KB
  230. 9. Welcome to Part 5!/4. Review Modes.vtt 6KB
  231. 20. SATB Composition/4. Voice Crossings.vtt 6KB
  232. 24. Harmonizing Melodies/2. Texture.vtt 6KB
  233. 14. Fourth Species Counterpoint/3. Going Downhill.vtt 6KB
  234. 25. Wrap Up/2. Thanks & Bye!.vtt 6KB
  235. 22. More with Cadences/4. Plagal Cadences in 4 Voices.vtt 6KB
  236. 3. Using Modes/1. From Old to New Again Modern Uses of Modes.vtt 6KB
  237. 3. Using Modes/6. Analysis Eleanor Rigby (The Beatles).vtt 6KB
  238. 22. More with Cadences/5. Deceptive Cadences in 4 Voices.vtt 6KB
  239. 16. Part 5 Wrap Up/1. What Comes Next.vtt 5KB
  240. 14. Fourth Species Counterpoint/5. 7-6 Suspensions.vtt 5KB
  241. 2. Modes (The Musical Modes, AKA The Church Modes)/7. The Lydian Mode.vtt 5KB
  242. 2. Modes (The Musical Modes, AKA The Church Modes)/4. The Ionian Mode.vtt 5KB
  243. 10. Second Species Counterpoint/4. Second Species Counterpoint Rules Summary.vtt 5KB
  244. 4. Deeper Into Intervals/9. Enharmonic Equivalence.vtt 5KB
  245. 20. SATB Composition/1. Writing SATB Lines.vtt 5KB
  246. 16. Part 5 Wrap Up/2. Thats it for Part 5!.vtt 5KB
  247. 4. Deeper Into Intervals/6. Summary of Intervals So Far.vtt 5KB
  248. 2. Modes (The Musical Modes, AKA The Church Modes)/9. The Aeolian Mode.vtt 4KB
  249. 25. Wrap Up/3. Bonus Lecture Discount Offers & Mailing List.html 4KB
  250. 8. Part 4 Wrap Up/1. What Next.vtt 4KB
  251. 1. Welcome & Overview/5. Asking Questions.vtt 3KB
  252. 25. Wrap Up/1. What Comes Next.vtt 3KB
  253. 15. Fifth Species Counterpoint/3. A Brief History of Fux.vtt 3KB
  254. 8. Part 4 Wrap Up/2. Thats it for Part 4!.vtt 2KB
  255. 1. Welcome & Overview/3. Update! MuseScore 3.0.html 795B
  256. 17. Welcome to Part 6!/6. A Master MuseScore File.html 548B
  257. [FreeCourseLab.com].url 126B
  258. 1. Welcome & Overview/4. [DOWNLOAD] Free Staff Paper.html 88B
  259. 17. Welcome to Part 6!/4. [DOWNLOAD] Staff Paper.html 77B
  260. 9. Welcome to Part 5!/3. [DOWNLOAD] Staff Paper.html 75B
  261. 13. Third Species Counterpoint/4. [DOWNLOAD] Worksheet No. 3.html 53B
  262. 22. More with Cadences/6. [DOWNLOAD] Worksheet No. 5.html 53B
  263. 23. Voice-Leading on the Dominant/3. [DOWNLOAD] Worksheet No. 6.html 52B
  264. 4. Deeper Into Intervals/10. [DOWNLOAD] Worksheet No. 2.html 52B
  265. 3. Using Modes/3. [DOWNLOAD] The Simpsons (TV Theme Song) Sheet Music.html 51B
  266. 3. Using Modes/5. [DOWNLOAD] Missa Pange Lingua (Choir) Sheet Music.html 51B
  267. 3. Using Modes/7. [DOWNLOAD] Eleanor Rigby (The Beetles) Sheet Music.html 51B
  268. 5. Consonance and Dissonance/5. [DOWNLOAD] Back 2 Part Invention No. 8.html 51B
  269. 6. Introduction to Counterpoint/7. [DOWNLOAD] Example Analysis Files.html 51B
  270. 2. Modes (The Musical Modes, AKA The Church Modes)/11. [DOWNLOAD] Worksheet No. 1.html 50B
  271. 5. Consonance and Dissonance/6. [DOWNLOAD] Worksheet No. 3.html 50B
  272. 15. Fifth Species Counterpoint/4. [DOWNLOAD] Worksheet No. 5.html 49B
  273. 14. Fourth Species Counterpoint/10. [DOWNLOAD] Worksheet No. 4.html 48B
  274. 7. Writing Note-To-Note Counterpoint in Strict Style/5. [DOWNLOAD] Worksheet No. 5.html 48B
  275. 18. Composing in an 18th Century Style/8. [DOWNLOAD] Worksheet No. 1.html 47B
  276. 11. Melodic Embellishment in Second Species Counterpoint/4. [DOWNLOAD] Worksheet No. 1.html 46B
  277. 20. SATB Composition/7. [DOWNLOAD] Worksheet No. 3.html 39B
  278. 6. Introduction to Counterpoint/9. [DOWNLOAD] Worksheet No. 4.html 36B
  279. 12. Writing Second Species Counterpoint/5. [DOWNLOAD] Worksheet No. 2.html 34B
  280. 19. Melodic Embellishment (in Chorale Textures)/5. [DOWNLOAD] Worksheet No. 2.html 23B
  281. 21. Phrasing in SATB Composition/4. [DOWNLOAD] Worksheet No. 4.html 19B